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  Selected Poems

Stories Too Fiery to Sing Too Watery to Whisper

 

from STORIES TOO FIERY TO SING
TOO WATERY TO WHISPER

Written 2005
(unpublished)

· The Delirious Archer

· The Secret of Poetry

· Afloat Behind the Face of Things

· Saintly Places

 

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THE DELIRIOUS ARCHER

This is the story of the delirious archer
who could shoot in a state no one would say
was sober yet he hit the bulls eye every time

He split eyelashes saplings feathers floating in air in absolute
half yet was so deliriously ecstatic as the world
showed itself to him fully jeweled in every aspect
kaleidoscopically singing in close harmony and revealing to his bedazzled eyes
the secret meanings of things entirely that he

couldn’t be given seemingly normal responsibilities
but was for all intents and purposes to everyone else
a complete idiot always smiling when not laughing and
always laughing when not sobbing

6/13

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THE SECRET OF POETRY

One line lands in a word and one word
lands in a line and
there you have it the secret of poetry

A steep incline guarded by panthers

A dense forest where lit periwinkles and dizzy
fairies jostle for space between leaves and flowers
each yelling inaudibly that they are the
guardians of poetry

A sudden drop out of nowhere into a sudden drop into nowhere
guarded by lines of army ants and one nearly eaten
brigadier who used to be in uniform though now his
real bony armaments show through

Or it’s a long stretch with few houses and some
snoozing beasts and you can barely see the
mountains for the haze and the heat itself is
unbearable

Now getting on your hands and knees about poetry is
definitely preferable to sitting in a comfy armchair
and getting face down in total prostration is
certainly preferable to hands and knees and from there
a secret meeting in a dark marketplace by The Jeweler’s stall
on a Thursday night with enough currency to carry away
something of inestimable value

Guarded by two giant mastiffs in spike collars who
haven’t eaten for weeks

Lift the little cut turquoises and put them into place next to the
evenly-placed sliver abalone chips in such a pattern and at
such an angle that they’ll catch the light fully before it
fades to zero

And better than full prostration
there is actually nothing
let everything slide out fingers and toes
and when you later settle into bed let your
extremities unflex the world entirely so your body’s
little electric nerve serpents can wiggle out and be
gone though they served their purpose well

Poetry that doesn’t adorn the corridors of heaven
and the doors of Paradise covered with signs

is worth nothing more than paper foil cut into shapes
then crinkled into small balls and tossed
over forgotten fences

People spend so much time saying nothing worth saying and
hearing nothing worth remembering as the big clock
moves forward on giant claw feet and the

geese try again this year to find their
own way home

Guarded by poets in flammable garments
lounging outside the fireworks factory

hoping midnight will find them there

still in one piece

when dawn comes

6/15

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AFLOAT BEHIND THE FACE OF THINGS

He had permission to only speak when spoken to

only look when looked at

only walk ahead when ahead walked him there

only stand in a standing he was given and he
was given good standing

Only participate when participation somehow
parted in such a way as to let him in

And in these straits and strictest circumstances
he saw what was seen and heard the
hearing in which even a pin dropping
was choirs

He was not left alone for long since what
came to him became him

His activity in this world became a phenomenon like
rain or the weather or a sweet drink in the
sun or an arc seen to connect two points
with no superfluous engineering but just enough to
go from point to point

essentialized accompanied by larks and
heavenly phrases as his eyes surveyed a world
of domelike stars become unlidded as seeing itself
poured into him from a great distance somewhere
beyond our single system

And his speech was never more than could
pound a nail or set free desperate
animals from their traps

And among humans he was that rarity
a silent witness and an ever-present cog when a
wheel needs turning or a soul dependant on the
wrong ledge needs anchoring to real land mass or
liberated from the ocean’s lunar levels as a
daily round and set free into the deepest cosmic limitations

Here was a heart that knew no numbness

A pot of varied flowers spoke to him from the forest of the center

afloat behind the face of things

7/17

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SAINTLY PLACES

We need to stand in saintly places
the way our body needs food to not topple over

We need to go there and find nearness there
even just a rude rock-strewn place where something

saintly took place or is taking place
tombs in giant sepulchers or a rude

rock-strewn place you can feel under your
feet or at the base of the heart the

non-physical saintliness of a real person in whom
God was by that person’s pleasing pleased

and stand there in its crystal waters rushing
past our ears and bathing our limbs the way

careful mothers of all creatures bathe their young
in the same way really we need to

find and stand in saintly places in this world
or stand with saintly ones and

stand with them for a time or for all time
and once found not ever leave their sainted precincts

in time or out of time
but stand with them

in their saintly places or those
who have gone before whose places are still

palpably alive the way even other live places
are not but these places are refuges and

refueling places not known anywhere
else on earth or with any other practitioners

and to stand in the bounty of a saintly place is
indescribable but evident if not then

then now in its great effect and the continuous affect
it has on us to

stand just once or have stood for even a small time
in space

in saintly places

8/10

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